No, not the rca's, only the XLR's but it does disable the 1/4" input on the front.
ok - so the headphone style jacks are a no-go, but everything else functions per the manual. the warm mod only then affects the xlr inputs, and no the rca's. is the line in stage of the rca's OK, or is it something i should think about wanting to change...
rca > xlr is doable, right..?
specifically maybe making a patch cord ( 2x female rca > male xlr) would do the trick.
how long of a run could i have..?
i go heb > modSBM-1 now. that mod is the oade line stage rebuild, whic is classified as a "warm" mod, and that a>d is a perfect compliment to the dpa 4060 mics and their transparency. as noted above, i have the heb set up, so the mics go mini-xlr into the core-sound batt box, and then they terminate in 2x rca males (to feed the sbm-1 line input)...
so i figure a heb > warm ua-5 > usb > laptop will get me into the 24/96 dept. with the mic setup that i have now...
you are saying that using the rca ins will not use the warm mod portion of the ua-5, but if i used a rca > xlr patch cable, into the xlr inputs of the ua5 (with phantom power OFF), i would be running the hebs through the warm mod ua-5, right..?
when i wanna do vinyl transfers of my stones boot lps, or cassette transfers, then i go straight into the rca's in the back to get the "colourless transfer" (or get a tmod ua5 and run the rca's from the front with the same style patch cords i need now)...
is that about right..?
thanks for any and all input...