« Reply #13 on: February 14, 2006, 02:58:47 PM »
Quote from: windorabug on February 14, 2006, 02:43:14 PM
Thanks for the responces everyone. The concert was fairly loud in a small bar.
Why will the preamp be more prone to distortion at high SPL's because of this issue? I really don't understand exactly what is happening because of this 5% variation in parts. Is there a seperate part for amplifying the + and - sections of the wave cycle? Am I even on the right track in understanding this?
If I am understanding this right it has something to do with the phantom(9v) power parts instead of the actual preamp stage. Thus, if i used a mic that was allready powered (like a NT5 or dynamic mic), and turned the phantom/PIP switch off the problem should be avoided. However, that does not help with the MM-HLSCs(9v bias required) that I just bought and really like.
.......... I grew some balls and opened this thing up. It had a touch of glue holding it together after I took the screws out. Other than the glue it was easy to open. I will email the pics to you .ron.
Can you please send me pics (or post them here?). I want to see the insides!
As far as the waveform goes, perhaps it is "brickwall distortion". That is, the mic input is overloading before it gets to the preamp. If this is the case, then you want a 3-wire battery box on the input. I can't tell for sure though. How does it sound?
Richard

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Mics: Sennheiser MKE2002 (dummy head), Studio Projects C4, AT825 (unmodded), AT822 franken mic (x2), AT853(hc,c,sc,o), Senn. MKE2, Senn MKE40, Shure MX183/5, CA Cards, homebrew Panasonic and Transsound capsules.
Pre/ADC: Presonus Firepod & Firebox, DMIC20(x2), UA5(poorly-modded, AD8620+AD8512opamps), VX440
Recorders: Edirol R4, R09, IBM X24 laptop, NJB3(x2), HiMD(x2), MD(1).
** This individual has moved to user "illconditioned" **