I too have done a number of these, and am starting to do even more with my R-4 Pro. I am running Stereo x 2, as opposed to mono x 4, just cuts down on some extra steps in post, unless you really need to adjust each individual channel regularly, which you can still do in stereo x 2. I have found subcard to be my setting of choice on my TLM 170s for up close work. Nice wide pickup and good imaging. I would not use my bass rolloff. If you need to do that later, you always can, but you can't really get it back if you record with it rolled off. I personally find hypers, well, just too hyper for on-stage recording. A lot of other things depend on the band setup, depth of stage, where you can plant your mics etc. Yes, you want to avoid setting up a few feet from the drum kit. When I can, I sometimes split my mics to either side. This is really a band-by-band, venue-by-venue type of decision. No one here can give you a hard and fast answer without knowing exactly what you are dealing with. In the end, it is always what you like. You know your band, and the room, and know whether you have a quality representative recording. As NJFunk also noted, every matrix like this will also be somewhat dictated by the board, what is getting mixed into it, and the need to delay it by just a few ms. so that it lines up with the mics, or as he suggested, even comes a ms or two after. Sometimes, if I know I am going to be taping a band, and want to make sure that I am going to get what I want, I go see some other band I care less about at the same place first, and experiment with different settings and placement.