« on: January 21, 2008, 03:25:46 AM »
Anyone out there who is a wizard on different mic spacing techniques?
What recording angle/s between your capsules would you choose in the following situations (assume you are recording rock music in a big arena and your mics are spaced about 17-25 cm apart):
A. Close to the stacks using
1a. omnis 2a. cardiods 3a. hypercardiods
B. in the middle of the arena (infront of soundboard)
1b. omnis 2b. cardiods 3b. hypers
C. far back in the arena at seats
same options as above!
Any ideas on this topic is highly appreciated. Would be interesting to hear comments both from theoretical viewpoints and what you learned from experience! Thanks everyone!

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Toy Box:
MICS:
Omnis: 6xNevaton MCE400s, Countryman b3s (modded), MM HLSOs (4.7K mod), Aevox in ear MK2s, CA-11s
Cards: Schoeps MK4s with Schoeps CMRS, Milab VM-44 Links, SP CMC-8, AT853, Sennheiser MKE 104, MM HLSC-1s, ECM-717
Hypers: AKG CK93s (modded), SP CMC-8, AT853, Audix 1280s (Church actives).
INBETWEEN: Naiant Tinybox (CMR mod), Naiant Tinybox (p48 mod), Naiant PFA, CA-9100, CA Ugly, Denecke PS-2 mini, MM-MBM, MM-CBM, SP SPSB-8, custom nuetrik XLR to TRS cables, 5 pin to 5 pin extension cable.
DECKS: A10, M10, R05, Tascam DR-05, R09-HR , MT2, Sharp MS-H702, MZ-R 70.