722 alone for one set and add in the V3 for the other. My problem is I have no way to host the files.
Why not split the mic cables and run the V3/722 concurrently - much easier to do the comp from a listening perspective that way. I'm sure we can find a way to host the files - plenty of us here with broadband to seed the BT.
You gonna do 24- or 16-bit comps?
Only 2 channels on the 722. I want to run the comp at 24/96, so the D7 stays home.
I know doing it across sets is not ideal, but the sound at Mule is pretty solid all the way though so I think it's as close as I can get with out another 722.
At some point, I'm going to borrow a friends V2 if he stilll has it and try that comp too.
BTW, the headphone monitoring configuration is just the menu navigation operating differently than how the other menu navigation works. I wrote SD and they called to help. It took about 2 minutes to explain and it's clear to me now.
Running this thing was a breeze last night. I was a little worried about battery time. The box powers on and is ready to record in much less time than I can load a DAT tape to my D7, so it's no problem to leave it powered off until just before it is needed.